Marketing | The Brainzooming Group - Part 2 – page 2
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“Is there a way to decide how much content brands in a multi-brand family can share, and how much needs to be different among the brands?”

I’ve been asked that question multiple times recently after delivering Brainzooming social-first content marketing strategy workshops.

My answer?

Return to the fundamentals we teach for building a content marketing strategy. In these cases, however, you can approach things in reverse order, unpacking your brand strategy framework to answer this type of question.

3 Steps to Find Multi-Brand Content Marketing Strategy Similarities

Step 1 – Audience Personas

The first step is to identify what personas are in use across the multiple brands. Are there separate personas or are they the same? If they are different, how much do their interests overlap with one another?

Step 2 – Content Preferences

Next look at how much the personas’ content preferences and profiles match one another. Which themes and topics are going to be of interest to all the groups? Do they represent a large or small portion of the overall content?

Step 3 – Brand Promise Components

Finally, go through a three-question branding exercise that we use in many situations. In this case, it helps you understand your audiences’ expectations and tolerances for unique content:

  • What does each brand’s audience EXPECT in the content the brand shares?
  • What types of variations from that content will the audience ACCEPT from the brand?
  • If the brand delivers the optimum content, how will the audience REWARD the highly-targeted content?

Across this series of questions, you can begin to form conclusions about your options for creating content that is common across all your brands. – Mike Brown Download Fast Forward Today!

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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“What am I missing? What is the insight I’m not seeing that could make our content marketing strategy make sense?”

An attendee at the 2018 Social Media Strategies Summit conference in San Francisco made that comment. She works for a major non-profit organization. She’s trying to manage through three strategic expectations the senior management team and board have regarding a content marketing strategy:

  1. They want to keep everything on one Facebook page.
  2. They have two important audiences that are each interested in different types of content.
  3. She can’t change either of the first two strategic expectations.

She’s beating herself up for her inability to find an amazing branding strategy insight. The one that would allow her to get around the contradictions posed by her senior management team’s decidedly non-social-first content marketing strategy expectations.

As we discussed her organization’s situation, I suggested various ways to target content to the two audiences based on what they are interested in hearing about from the organization. While the ideas were sound strategically, each one directly challenged the expectations in a way she was certain she couldn’t do.

After a few minutes, I assured her that she isn’t missing any big branding strategy insight.

The problem is the management team’s decisions about the content marketing strategy. Their stipulations are all about brand-first, not social-first, content.

She told her management team that she would return from the conference and write the organization’s social media strategy. She didn’t see that happening without the big insight.

I suggested she instead focus on creating a strategic conversation with her management team. Her first step is to address what they want to achieve as an organization with their two audiences. She can then start suggesting how social media contributes to realizing those business objectives. The more they want to push a brand-first content strategy, the less wedging in a few social-first content marketing tactics will successfully fix things.

Maybe THAT is the insight she was seeking: you can’t pursue the smart thing (a social-first content marketing strategy) when management’s every strategic expectation runs counter to doing so.

Not a great situation. As least now, though, she has a pathway to attempt to help them work their way out of it! – Mike Brown

Boost Your Brand’s Social Media Strategy with Social-First Content!

Download the Brainzooming eBook on social-first content strategy. In Giving Your Brand a Boost through Social-First Content, we share actionable, audience-oriented frameworks and exercises to:

  • Understand more comprehensively what interests your audience
  • Find engaging topics your brand can credibly address via social-first content
  • Zero in on the right spots along the social sales continuum to weave your brand messages and offers into your content

Start using Giving Your Brand a Boost through Social-First Content to boost your content marketing strategy success today!

Download Your FREE eBook! Boosting Your Brand with Social-First Content

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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I’m delivering a workshop at the Social Media Strategies Summit in San Francisco today. It will cover creating a sustainable, social-first content marketing strategy. The three-hour workshop will take participants through typical sticking points brands face in developing effective content marketing strategy plans that start strong, build, and continue to deliver results.

Areas where we’ll concentrate and spend extended time as participants work through Brainzooming exercises include:

One workshop attendee, Angelo Harms, Digital Marketing Manager at the Curaçao Tourist Board, has seen me present workshops multiple times at SMSSummits. Angelo has also brought us to Curaçao for content marketing strategy workshops the past two years. Because he’s seen SOOOO much of our content, I wanted to come up with something new Angelo hasn’t seen yet.

9 Ways a Brand Can Sustain a Social-First Content Marketing Strategy

Here it is, with a sneak peek for all of you.

It’s a tool to identify starter topic ideas along the customer journey (X-axis) from three different perspectives (Y-axis):

  • What customers are thinking about and facing
  • Industry and product category considerations
  • Brand content that fits social-first needs

Beyond a content calendar, it’s another strategy way to ensure sure you are developing a strong mix of content that is relevant to prospects and customers, no matter where they are along the journey to your brand.

If you would like to go deeper into the topic, download our FREE eBook on Social-First content. It covers many of the exercises and tools we’ll share in the workshop content marketing strategy workshop.

If you’d like help thinking about how a content strategy helps grow and develop your brand, contact us. Let’s grab time to chat about the possibilities for growing your revenue and customer base through social-first content! – Mike Brown

Boost Your Brand’s Social Media Strategy with Social-First Content!

Download the Brainzooming eBook on social-first content strategy. In Giving Your Brand a Boost through Social-First Content, we share actionable, audience-oriented frameworks and exercises to:

  • Understand more comprehensively what interests your audience
  • Find engaging topics your brand can credibly address via social-first content
  • Zero in on the right spots along the social sales continuum to weave your brand messages and offers into your content

Start using Giving Your Brand a Boost through Social-First Content to boost your content marketing strategy success today!

Download Your FREE eBook! Boosting Your Brand with Social-First Content

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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Vickie Howell is a broadcast personality, producer, author, designer, and instructor in the DIY world. Her online series, The Knit Show with Vickie Howell (YouTube) is the first studio produced, community funded, internationally accessible knitting and crochet streaming series. With the help of over 1200 individual and company backers, Vickie successfully raised $83k in 30 days on Kickstarter to fund the project. As of December 2017, The Knit Show has had over a quarter of a million views in at least 19 countries.

Photo: Harper Point Photography

For the sake of transparency, I note that Vickie also played bass in the imaginary band that she and I co-founded (I was the singer; the band was called Why Barbie’s Bad) as college theater students in the mid-90s, talking our way into (and out of) any number of ridiculous situations with our over-plucked brows, dark burgundy lipstick, and matching GIRLS KICK ASS t-shirts. Later, we worked for the same film and television production company while living in the same apartment building in West Los Angeles, and briefly had a side business selling light switches lovingly decoupaged by our own hands.

Those were, as Lou Reed sang, different times.

But some things remain constant. Vickie’s drive to strategize, revise, and improvise in the name of extreme creativity and productivity is as fierce and inspiring as ever, making her a natural choice for an interview on the Brainzooming blog.

Now Streaming: Extreme Creativity and Vickie Howell

Emma Alvarez Gibson (EAG): When your show was first available on YouTube, I told Mike about it, and I didn’t think he would watch it. Because he doesn’t watch anything, really. I’m always sending him videos and stuff and he’s like, Oh…yeah…I kind of clicked on it…

Vickie Howell (VH): I mean, but it’s knitting, soooo…

EAG: Exactly!

VH: Seems like it’s a given. Of course, he’s going to watch it. No? That’s not where you were going with this?

EAG: Well, two days later, he says, By the way, I watched most of the episode! I’m like, WHAT?! He says, It was really good! I was so impressed!

VH: Why? Why did he do that?

EAG: I think it’s the fact that when you saw that the market wasn’t doing what it had been doing, you took things into your own hands and found a way to do it anyway. Without getting too precious about it, those qualities in you really kind of embody what Brainzooming is about.

So, maybe tell me about how you got to where you are now and what your thoughts are about moving forward. There was a little period when there was a ton of DIY and craft shows on and that’s where you found your niche.

VH: Do you want a little background on why that went away?

EAG: Yeah.

VH: Ad dollars. There’s no money in crafts. And basically, Home Depot and Lowes are better ad buy-ins for [networks like DIY, the home of Vickie’s first show, Knitty Gritty]. We don’t have that kind of money in crafting, so it was a much more viable model to just move over to home improvement and home decorating.

DIY programming in social media has been easy. Anybody can post videos. People were getting their projects everywhere, all over the interwebs, and then they were getting the education on how to make their projects through sites like Craftsy and CreativeLive, and now Brit + Co., and Creativebug — there’s tons of them. So, the programming industry has had to completely hustle like the rest of us. Time is ticking. Cable stations are going to turn into streaming stations. So, everybody’s going big. They’re not going to go for the “there’s no ad dollars in it” show.

I was watching this all develop over the course of about eight years. I saw it happening again and again as I was working, as I was pitching, as I was trying different things. And I was still getting these messages almost daily saying that Knitty Gritty was still impactful, still had a space in people’s lives. I wanted to recreate that essence, but for now, meaning the digital aspect, which obviously wasn’t a thing back then, and the social media aspect, which was really the most exciting part for me. I started doing Facebook Live videos the first day they were available for verified users. And I noticed how many people were watching from different countries, like Turkey, Canada, Australia, Brazil–I didn’t expect that kind of community to be out there.

And for me, now, that’s the goal today. Your community is no longer in your own neighborhood, or your own state, or even your own country. As far as you can reach, and anybody can reach that far, from the comfort of their own homes — that reach is the limitation of your community, and community is the very base of marketing.

So, there were those two components, plus a third one. However you’re creative, whether it’s picking up a Fender Strat, or a paintbrush, or knitting needles, that is how you channel your creativity. And creativity is openness, and when you’re open, that allows you to see the world on a broader scope than what you would otherwise. I wanted to encapsulate that essence. It’s about people’s communities, it’s about connection of people, it’s about choosing it for stress reduction or for coping, or because you’re putting something beautiful out in the world, or for socialization, or whatever. So that was really important to me, and the only way that I could do that and make it look cool, without it being watered down heavily, was just to do it myself.

EAG: And from there, the wheels started turning and you started thinking, What would I need to start getting together so that I could produce this myself?

VH: Yeah. So, when I worked on a PBS show, I had co-executive produced it, and also produced it with my friend Karin Strom. We picked the guests, we picked the content, we figured it out. And so that experience gave me that final bit of confidence. And because I’d been in the entertainment industry, as you know, since I was 18 or 19, on and off, I knew a lot of it. But the actual nuts and bolts–that was sort of the final piece, just to see if I was a truly competent producer, and I found out that I was. And I loved it, and I still love it. It’s still one of my favorite things to do. That had been percolating for a couple of years. I worked for about a year’s time with Scripps [Scripps Networks Interactive], which owns the DIY Network, to license the Knitty Gritty name. It got pretty close, but we just couldn’t make it work, which was in hindsight a blessing, because I own The Knit Show, together with ProductionFor, outright. So, we don’t have to get approval for anything. It would have been nice to have that name recognition, but it’s so exciting, when I put on my marketing hat, that I don’t have the limitations that I would if I owed anything to anyone.

EAG: Absolutely.

Photo: Keith Trigaci

VH: I can work with people for sponsorships or partnerships in really interesting and innovative ways. Many companies don’t have the actual capital to invest, but they have the email newslists, or they have some kind of asset that is a viable barter, and so they get to put their name on what they think is a cool and innovative project, and we get whatever asset they have, whether it’s an e-newsblast to 250,000 people, which are eyes that we need, or it’s furniture for the set, or even wardrobe for me to wear to an appearance. And then what happens is that the backer page grows larger and larger and larger, so that when future investors look at it, they can see that a village built this. And there’s a village behind it.

So, I started building that, and then I went to my ex-husband Clint, because he owns a production company, ProductionFor. I went to him with the big piece that I didn’t know anything about, which was how to create a budget for a show. We went back and forth and I told him what amount I felt comfortable raising. As a side note, I’ve never felt comfortable asking for money. I sucked at selling Girl Scout Cookies. It’s just never been my wheelhouse. But because I could sort of see this as a service–people wanted this–I kind of worked it out. We found a number that we could at least try and raise together. We created a partnership with this company that normally produces interstitials, commercials, and the like, but really wanted to get into episodics. And I really needed a production company behind me for the technical side of it. So, we just sort of jumped in together. It was a huge learning curve, and there are a lot of lessons still being learned. But it was a pretty exciting adventure.

EAG: Once you got all the funding you needed, how quickly was the first season completed?

VH: I had my pitch meeting with ProductionFor in February. The Kickstarter began the third week in March and ended in April. I don’t know if you know this, but with Kickstarter, you get 30 days to raise all of it or you get none of it. That was the hardest thing I’ve ever done. And then I had my content producer Karin on a plane within maybe two weeks, and we started planning the grid. So, we went right into it. The actual studio production was the first week of August, it was five days and we shot ten episodes.

EAG: Where are you now in the process? What do you have happening next? If I know you there’s a long, long, long-term strategy.

VH: There is. The great thing about having streaming content is that there’s no shelf life for it. So now, I’ll go back and on a granular level, dissect it and see what I can do as far as marketing goes for external pieces. I’ve just received all the transcripts needed to get every episode captioned. Since we have 19 countries’ worth of ownership, I’d like to start experimenting with subtitles. I’m going to start with German and then probably Spanish. What I’d also like to do is investigate: can we sell this to an airline? Are there ways that we can sell pieces of it without it having to be pulled down from YouTube? And I don’t know the answer to that. So that’s something that I really want to investigate right now. And then I’ll break down each individual piece for additional cross-promotional opportunities.

We chose to put the whole season up at once to compete with other binge-worthy series in the digital market. That choice, though, means working harder to keep word circulating so new viewers find us. If I can offer screenshots and direct video links to snippets of the show that give a glimpse of even the smallest of products or locations, then I’ll ask the respective companies to feature us on social. This project is made for and by the community–so I’ll continue to ask that community to pitch in to make it a success.

Photo: Keith Trigaci

EAG: Blue-sky, no-holds-barred, what do you see happening?

VH: Here’s my pie in the sky: I didn’t produce this just to be a one-off. I want to continue producing the show and providing great content for the people in my community. That could be either on my own, through private investors, and just create my own thing, or it could be ultimately selling it to an Amazon or a Netflix or whatever–I think all networks are going to have streaming options soon. I have a feeling that NBC Universal will be one of the first, because they bought Craftsy, and they have Amy Poehler’s Handmade show. It could be any one of those, or it could be something I haven’t even thought of, because everything’s changing. Ultimately, I would like to produce DIY programming in all different craft realms so that I can help other designers and hosts rise. I would executive produce them. Quilting, jewelry, sewing, maybe baking, that type of thing. So that’s sort of the big picture.

EAG: A lot of people at any given point along this journey that you’ve just described would have gone, Well, I guess that’s it. What is it that keeps you pushing?

VH: I mean, but, when do you say that’s it? Like when you make your goal on Kickstarter? Or when you actually get the show produced? Or…?

EAG: I guess I’m talking more about the challenges, you know, the, Well, I have this great show, I was on this other show, but that didn’t

VH: Oh! Because I’m totally unhireable. That’s easy. Sorry, I misunderstood the question. No, I mean, what the hell else am I going to do? I’ve always, always sparkle-fingered my way through life, you know? I’ve always talked my way in and figured it out. And I guess the fear is just having to get a regular job, maybe. And also, I’ve had some really amazing experiences of people coming up to me and sharing really powerful stories involving one of my projects. And there’s something about that that helps propel you forward when you feel like pulling the covers over your head. Knowing that even if it’s just one person, or two people, or a handful of people, that you’re making a difference in someone’s life. And, you know, I’m not curing cancer. But if I can help a mom who’s sitting in a hospital room while her baby has leukemia–this woman just told me this story last week, so it’s fresh in my mind–and my projects, columns I’ve written, whatever, helped her get through something because it gave her purpose? That’s good enough for me, man. That’s good enough for me.

EAG: Thanks, Vickie! We can’t wait to see what you do next.  – Emma Alvarez Gibson

 

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Download our FREE “Taking the No Out of InNOvation eBook to help  generate extreme creativity and boost your creative thinking skills! For organizational innovation success, contact The Brainzooming Group to help your team be more successful by rapidly expanding strategic options and creating innovative growth strategies. Contact us at info@brainzooming.com or call us at 816-509-5320 to learn how we can deliver these benefits for you.

 

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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Many experienced people, including marketers (who should know better), are ill-equipped to succeed at job networking for new opportunities. It’s scary. And it’s a frequent enough situation that it is easy to list these seven proven ways to screw up job networking calls, along with corresponding tips to improve your performance.

7 Proven Ways to Screw Up Networking Calls

Photo via Shutterstock

Screw up #1: Refusing to be conversational

I may call initially based on someone else’s description of what you’re seeking. After taking the initiative to call, introduce myself, and state that so-and-so asked me to contact you, it would be nice if you were prepared to say “thank you,” exchange a pleasantry, and share your call objective. Too many individuals act as if they’re being disturbed or don’t understand why I’m on the phone. It’s taken three attempts on some occasions to turn it into a two-way conversation. Work with me people!

Job Networking Tip: Be ready to talk!

Screw up #2: An inability to quickly set the stage

Have an elevator speech – describe your background, aspirations, and goals in two paragraphs. I’ll spend time with someone I am familiar with to probe and seek more clarity about their options. With a stranger, that’s more difficult. It would be nice if you’ve done it in advance.

Job Networking Tip: Know your interests and prepare to share them!

Screw up #3: Adopting an overly casual attitude toward the call

It’s amazing how casual people are on the phone with total strangers.  A woman once recounted her intense interest in transportation, the industry in which I was working. To make her point, she said a fully-loaded rail car was like “pornography” to her. Huh? Instantly, she went from a potential referral to a curiosity – wondering what other inappropriate things she might say.  Even if I’m not hiring, you want an introduction to someone who might be. That means it’s an interview. Act like it!

Job Networking Tip:  Conduct yourself as if it’s a job interview!

Screw up #4: Thinking this is a one-sided conversation

I go into calls expecting to offer information, ideas, or referrals that might be of assistance. It would be great if you shared that attitude. Even if you think your near-term need for opportunities is greater, I also appreciate information, ideas, and suggestions for people to meet. A two-way exchange will earn you follow-up conversations.

Job Networking Tip: Offer something of value to the other person!

Screw up #5: Expect the other person to do your heavy (and light) lifting

I received an email from someone unknown to me seeking senior marketing candidates. After forwarding the email to Clarence (not his real name) who I’d met for a networking lunch, he responded in a stern tone that the employer’s email address was wrong, asking me to get the right one. All this, even though I had to use the same resources available to him (ever heard of The Google?) to track it down. Clarence also asked me to send him direct phone numbers for other people rather than calling himself to get them. Remind me – who is looking for work here?

Job Networking Tip: Do some work yourself!

Screw up #6: Make dealing with you as cumbersome as possible

An unsolicited email arrived from someone (call him “Clarence #2”) who had been referred by a business acquaintance I hardly know. The email included two separate Word documents. Having to open both (shortening review time), I quickly closed them since a mild virus was attached (eliminating all review time).  When Clarence #2 called, he presumed I’d fully read the resume and asked what questions I had about him, followed by silence (precluding meaningful dialogue).  Important tip – presume I haven’t given a complete stranger’s resume a lot of time; help refresh me.  When later referring him to associates, I created a single PDF of his documents (he couldn’t create PDFs) to spare them the virus (robbing time from pre-selling him).  Clarence #2 could have gotten more valuable help if he’d saved me all this wasted time.

Job Networking Tip: Find EVERY way to make it easy for someone else to help you!

Screw up #7: Answering someone’s help by going silent

Maybe there’s a reason you’re looking for a job since follow-up is also typically spotty. Remember:

  • If I send information or make referrals, let me know if they’re beneficial.
  • If we set an appointment, do everything to keep it. When you cancel multiple times, don’t expect much future energy from me on getting together.
  • If I invite you into LinkedIn and offer to make connections, include a message for the ultimate target that explains why you want to network. Don’t expect me to compose a message explaining why they should spend time with you.

Job Networking Tip: Follow-up with someone that helps you!

These are basics any senior person (especially marketers) should know. Invariably, people trip on several of them.

If you’re intent on screwing up your career strategy while networking, I’ll try to help stop you, but don’t expect me to take a bullet for you while trying to wrestle your own gun from your hands! – Mike Brown

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Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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Matt Britton, a millennial generation expert, spoke about the anticipating the Class of 2025 as the keynote speaker on the closing day of the October 2017 Social Media Strategies Summit in New York. His keynote got us thinking about how today’s ten-year-olds (the Class of 2025) will change the landscape for brands, following in the wake of the impact millennials have created.

A Future-Looking Strategic Thinking Experiment

Reviewing the copious notes, here are strategic thinking starters for thought experiments as you imagine your future organization and market.

A Radically Different Audience Base

Britton discussed the fact that younger millennials (born between the early 1980s and late 1990s) and Generation Z (born mid-1990s to mid-2000s) are the first generations to grow up with the internet in their households. Because of the lifelong availability of the web, Britton contends their brains are wired to think and consume differently.

For the class of 2025, it goes further: they were born with phones in their faces. They are developing collaborative projects online in grade school. The availability of learning outside traditional schooling structures will change the training and pool of employees, leading to greater diversity, fewer people with traditional college degrees, and a need for specialization vs. careers as generalists.

Strategic Thinking Experiment Starters:

  • If none of our employees had college degrees and were instead DIY or technically-trained, how would our business model and processes change?
  • What could we do better in this scenario? What would we do differently?

Talking to Machines, Not People

Changes in how we interact with computers, robots, and other devices are already underway. Instead of typing, we’ll increase voice interaction – or mind control. Britton’s claim is “hardware is the final mile.” That’s why Amazon and Google are moving to hardware, because it will dramatically impact online search results.

Where people once might have viewed several search pages to find answers, now it is about a brand needing to be among the first ten recommendations on Google. With voice delivery, people won’t listen to more than one or two options. If the voice hardware doesn’t mention your brand, you are out of luck; thus the importance of shaping how the hardware works. With devices talking directly to devices, the dynamic changes even more.

Strategic Thinking Experiment Starters:

  • What will it take to set up a marketing innovation team to understand how voice technology changes our marketing, sales, and customer service? Where should the team start exploring?
  • If we don’t have a team looking at the impact of the Internet of Things on our business, what do we need to do to get on it by early 2018?

Download Disrupting Thinking

Renting vs. Buying

Britton combined several trends to explain why millennials (and later, the class of 2025) will want to rent things instead of buying and owning them:

  • City and downtown living is a pull for millennials. As demand and prices rise, they can’t afford bigger places. The result is they won’t / don’t have room for as many things.
  • Parking is an issue. The greater density of amenities in downtown areas makes walking, biking, and public transit more attractive. Thus, there is no need to own a car.
  • In a gig-based economy, organizations will downsize offices. Gig workers will look increasingly to collaborative workspaces to rent a desk or place to congregate and work.
  • As having more things is less attractive, experiencing more things (and documenting the experience digitally in photos and videos) is all the rage. The goal becomes pursuing experiences just to be able to take a picture and show it to others, with the expectation that the experiences and images are life changing and defining.

There are numerous examples: massive valuations for Uber and WeWork, the popularity of Color Runs, and Get the Flight Out (GFTO offers last minute flights deals so going to exotic locales to take pictures is more affordable).

Strategic Thinking Experiment Starters:

  • What changes in our business if most customers want our product or service on demand versus owning it?
  • How do we move faster to introduce a self-disruptive business model before another brand does?

Abandoning the Middle

Britton predicted a continued move toward a “barbell economy,” where the middle class and mid-range products are being “wiped out.” He points to a major potential brand implication: the best growth opportunities are for luxury and value brands. Luxury brands can create high-impact, premium-dollar (potentially convenience-rich) experiences (see the renting vs. buying impact) and value brands can uncover supply chain innovations, taking costs out, and maximizing simplicity (Brandless sells essentially generic, but “better” food products, all at $3).

Strategic Thinking Experiment Starters:

  • If we have a middle-market product or service, what will be left of our business if it dries up?
  • What does the ultimate, premium, high-end version of what we produce look like? What does the generic, everything costs the same version of what we do look like?

Old Hat, Old Thinking, or Both?

Whether these predicted trends feel old hat or impossibly far off for your business, you should take Matt Britton up on one of his ideas: creating a shadow board of millennial employees to advise your Baby Boomer and Generation X senior leaders on what’s coming. Create this type of group, and spend time with them imagining what your brand and marketplace’s future looks like.

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Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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A client reached out yesterday with a “quick cry for help!”

The client’s organization is taking time today to imagine ideas for a brand video that looks at the customer experience they deliver from the audience’s perspective. She asked about a question or exercise “that has worked well to get people thinking about that type of content and how to present it.”

I love requests like this from clients because we can offer them assistance while also using their real-world challenges as blog posts!

6 Ideas to Imagine Social-First Video Content for a Brand Video

Here are the five social-first content-oriented articles I suggested this client consider for today’s staff meeting. You can click on the numbered headers to reach each article.

1. The Steps to Your Brand

This exercise involves thinking about all the steps customers take in arriving at your brand. The original inspiration was from signage pointing the way to the St. Louis Arch. By using/adapting the seven questions included in the article, the team can think about what customers’ experiences as they come to and engage with a brand.

2. Customers’ Brand Surprises

We call this one the “Oohs and Ahhs Test.” Have the group think about what customers and prospects Ooh and Ahh about when they experience your brand for the first time.

3. Finding the Cool in Your Brand

This one may feel a reach if you aren’t an industrial brand, but it contains possibilities for other types of brand. Use the bullet points in the article’s first and second sections as prompts, asking “What does our brand do or how does our brand feature this aspect?” In the third section, there’s a video from Lincoln Electric focusing on the impact of its welding equipment instead of the welding equipment itself. It’s a great example for brands to emulate in sharing customer stories.

4. Looking at the Customer Experience from Multiple Social-First Content Perspectives

Any of these five exercises could be productive for thinking about questions or interactions teachers have with a brand. While we use posters featuring each exercise we we conduct a social-first content workshop for a client, the descriptions of each exercise should have enough to suggest a few questions to get people thinking.

5. What Should Content Do?

Use the EIEIU social-first content formula in this article as prompts to ask, “What would a video about what our brand does deliver (the EIEIU variable) for our audience?” Wonder what EIEIU stands for? Read the article!

6. What Needs to Go into a Creative Brief?

This one is about strategic creative briefs. You can use the objectives / preferences / guidelines framework discussed near the article’s conclusion to have people imagine what direction they would provide to shape social-first video content.

And, BTW

If you’re looking for ideas to maximize shooting the videos, here are lessons learned from shooting videos for our own brand! And if you need a social-first content branding workshop to develop the important messages for your audiences, contact us, and let’s schedule one for your organization! – Mike Brown

Boost Your Brand’s Social Media Strategy with Social-First Content!

Download the Brainzooming eBook on social-first content strategy. In Giving Your Brand a Boost through Social-First Content, we share actionable, audience-oriented frameworks and exercises to:

  • Understand more comprehensively what interests your audience
  • Find engaging topics your brand can credibly address via social-first content
  • Zero in on the right spots along the social sales continuum to weave your brand messages and offers into your content

Start using Giving Your Brand a Boost through Social-First Content to boost your content marketing strategy success today!

Download Your FREE eBook! Boosting Your Brand with Social-First Content

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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