Marketing | The Brainzooming Group - Part 2 – page 2
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I’m involved with a new outreach effort at church. Our objective is connecting with people that have left the Catholic Church or those that have expressed an interest in joining. Another thing our pastor asked us to implement is going door-to-door throughout the parish boundaries to reach out to everyone in the area.

I know I speak for myself and the other committee members: none of us were very excited about engaging in door-to-door ministry. We don’t want to seem like people from one of THOSE churches where we ALL hide when the doorbell rings.

Researching Catholic outreach ministries, I found a prominent one with a palatable strategy for door-to-door outreach. It recommends focusing exclusively on asking people if they have anything that your church can pray about for them. Whether it’s a challenge, aspiration, or nagging concern, the idea is simply to let people know that others care and want to join them in praying about what is on their minds.

Then a few weeks ago, a priest from a Catholic young adult ministry visited our parish. I was there early and helped pass out the pamphlets he brought with him. I placed them in the pews without even looking at them, figuring they solicited contributions. Only later, during his homily, did I learn that the return portion of the brochures had nothing to do with a request for money. It asked everyone to share prayer requests we had so that the young adults in the ministry could join with us in prayer.

How do you follow up within your brand’s business development strategy?

via Shutterstock

Against this backdrop, I was recently working on a business development strategy for a business when the idea clicked. Rather than reaching out to prospects to talk about what the firm does, they could reach out to business decision makers interested in the company and ask them for their version of a prayer request.

For this brand, some comparable prayer request ideas might include:

  • Asking what questions they have and providing an answer then or in a follow-up.
  • Offering a free consultation call to solve a challenge.
  • Providing access to an exclusive webpage or group with resources to help them do their jobs.

If you applied a comparable business development strategy for following up with your prospects, what would be YOUR brand’s version of a soliciting a prayer request? – Mike Brown

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Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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Last week, The Brainzooming Group was in San Francisco for the Social Media Strategies Summit, where Mike presented a content marketing strategy workshop and a talk on collaborative engagement. In the workshop, he brought up the idea of turning seemingly boring brands into cool brands. That’s important, because brand strategy has everything to do with cool. This is true even if you’re an industrial brand, as Mike pointed out:

Well, okay, you might be thinking, But there’s nothing cool about our brand. There’s no fire. We’re completely utilitarian, unhip, the least sexy service on the planet. Possibly the galaxy. Hear me, friend: no matter what you do, there’s something inherently cool about your services, your product, your people, and maybe even all three. Marcel Proust was spot on when he wrote that the voyage of discovery is not in seeking new landscapes but in having new eyes. So let’s see about getting some new eyes and putting them to work for you.

3 Keys to Creating Cool Brands from Boring Brands

1. Define Cool

Start by making sure your definition is up to date. Cool used to be a narrow space occupied by a select few, but that isn’t the case any longer. Its definition has expanded, if not outright exploded, and now there’s much more space at this particular table. Within the current landscape, here are a few traits I see that fit inside the broad category of cool brands:

  • On trend
  • Intelligent
  • Humanitarian
  • Rebellious
  • Kind
  • Honest
  • Clever
  • Unique
  • Consistent
  • Simple

What makes these things cool? It all boils down to the same thing. And despite its recent run as an overused buzzword, at its core it’s all that matters. It’s authenticity, of course. When something is true, we know it on an instinctual level that can be hard to quantify. Perhaps it’s easier to quantify its opposite. It’s a scientific fact that phoniness disguised as authenticity creeps us out. To paraphrase the incisively smart Eve Callahan from Umpqua Bank, whose presentation at the Social Media Strategies Summit left my brain…well, zooming: humans are great at spotting blanks.

But when we’re interacting with authenticity, there’s a sense of order and peace about the interaction. There’s even, dare I say, a sense of fun and creativity about it. In this unreliable world, authenticity is as cool as it gets. So whether you’re authentically kind, consistent, rebellious, clever, or something else altogether: you’re cool. Humans love authenticity. (It’s essential for excellence. If excellence were a planet, authenticity would be its carbon, the basis for all its life forms.)

Chances are, your organization can identify two or three of these as descriptors, but generally there’s a standout trait in what you do and how you do it that’s become, in the mind of your customer, a kind of shorthand for your identity. (If that makes you nervous, don’t worry, just keep reading: this is going to help.)

2. Ask Your People

So what is that standout trait? Ask your people. For our purposes, “your people” comprises customers, colleagues, higher-ups, partners, collaborators, and, if possible, competitors. Reach out to as many as possible to get their input. You can do this in person (quickly ask someone on your way to a meeting, or when you’re grabbing a coffee, and jot down their answer), via email, via text, over the phone, using an online survey or collaboration — you get the picture. If you can get everyone to respond on one platform, that’s great, but it’s not necessary. What’s definitely necessary is to have the feedback of multiple representatives from each group.

When you feel you’ve gotten either as much feedback as you need, or as much as you’re going to get, take a close look at it. What words come up most often? Which one most closely matches your brand promise?* Once you’ve identified that, you can move on to the fun part.

3. Amp it Up

This is where you bring it to life. Set aside some planning time, then take that ineffable cool that’s central to your organization and walk it through every available venue. If you can include a couple of trusted associates to help, all the better. Make your cool the lens through which you see, the starting point of everything you do. What does honesty (or rebellion, or intelligence, or kindness, etc.) look like in social-first content, in print, over radio? What does it look it in customer service, in an internal newsletter, in an all-hands-on-deck meeting? How does a fundamentally honest organization start and end the business day?

Chances are, your organization’s doing some (or many!) of these things already, but you’ll find that you’re coming up with simple-to-implement ideas that had never occurred to you before. And while you can’t possibly change everything you’d like to change, there’s probably a whole lot you can amp up to shine a big spotlight on what make your cool brand as cool as it is. Which has the potential to drastically improve the strength and success of your entire organization.

And that’s pretty cool. Emma Alvarez Gibson

*If they don’t match, perhaps it’s time for a little internal disruptive thinking?

Download Your FREE eBook! Disrupting Thinking - 13 Exercises to Imagine Disrupting Your Brand

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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“Is there a way to decide how much content brands in a multi-brand family can share, and how much needs to be different among the brands?”

I’ve been asked that question multiple times recently after delivering Brainzooming social-first content marketing strategy workshops.

My answer?

Return to the fundamentals we teach for building a content marketing strategy. In these cases, however, you can approach things in reverse order, unpacking your brand strategy framework to answer this type of question.

3 Steps to Find Multi-Brand Content Marketing Strategy Similarities

Step 1 – Audience Personas

The first step is to identify what personas are in use across the multiple brands. Are there separate personas or are they the same? If they are different, how much do their interests overlap with one another?

Step 2 – Content Preferences

Next look at how much the personas’ content preferences and profiles match one another. Which themes and topics are going to be of interest to all the groups? Do they represent a large or small portion of the overall content?

Step 3 – Brand Promise Components

Finally, go through a three-question branding exercise that we use in many situations. In this case, it helps you understand your audiences’ expectations and tolerances for unique content:

  • What does each brand’s audience EXPECT in the content the brand shares?
  • What types of variations from that content will the audience ACCEPT from the brand?
  • If the brand delivers the optimum content, how will the audience REWARD the highly-targeted content?

Across this series of questions, you can begin to form conclusions about your options for creating content that is common across all your brands. – Mike Brown Download Fast Forward Today!

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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“What am I missing? What is the insight I’m not seeing that could make our content marketing strategy make sense?”

An attendee at the 2018 Social Media Strategies Summit conference in San Francisco made that comment. She works for a major non-profit organization. She’s trying to manage through three strategic expectations the senior management team and board have regarding a content marketing strategy:

  1. They want to keep everything on one Facebook page.
  2. They have two important audiences that are each interested in different types of content.
  3. She can’t change either of the first two strategic expectations.

She’s beating herself up for her inability to find an amazing branding strategy insight. The one that would allow her to get around the contradictions posed by her senior management team’s decidedly non-social-first content marketing strategy expectations.

As we discussed her organization’s situation, I suggested various ways to target content to the two audiences based on what they are interested in hearing about from the organization. While the ideas were sound strategically, each one directly challenged the expectations in a way she was certain she couldn’t do.

After a few minutes, I assured her that she isn’t missing any big branding strategy insight.

The problem is the management team’s decisions about the content marketing strategy. Their stipulations are all about brand-first, not social-first, content.

She told her management team that she would return from the conference and write the organization’s social media strategy. She didn’t see that happening without the big insight.

I suggested she instead focus on creating a strategic conversation with her management team. Her first step is to address what they want to achieve as an organization with their two audiences. She can then start suggesting how social media contributes to realizing those business objectives. The more they want to push a brand-first content strategy, the less wedging in a few social-first content marketing tactics will successfully fix things.

Maybe THAT is the insight she was seeking: you can’t pursue the smart thing (a social-first content marketing strategy) when management’s every strategic expectation runs counter to doing so.

Not a great situation. As least now, though, she has a pathway to attempt to help them work their way out of it! – Mike Brown

Boost Your Brand’s Social Media Strategy with Social-First Content!

Download the Brainzooming eBook on social-first content strategy. In Giving Your Brand a Boost through Social-First Content, we share actionable, audience-oriented frameworks and exercises to:

  • Understand more comprehensively what interests your audience
  • Find engaging topics your brand can credibly address via social-first content
  • Zero in on the right spots along the social sales continuum to weave your brand messages and offers into your content

Start using Giving Your Brand a Boost through Social-First Content to boost your content marketing strategy success today!

Download Your FREE eBook! Boosting Your Brand with Social-First Content

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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I’m delivering a workshop at the Social Media Strategies Summit in San Francisco today. It will cover creating a sustainable, social-first content marketing strategy. The three-hour workshop will take participants through typical sticking points brands face in developing effective content marketing strategy plans that start strong, build, and continue to deliver results.

Areas where we’ll concentrate and spend extended time as participants work through Brainzooming exercises include:

One workshop attendee, Angelo Harms, Digital Marketing Manager at the Curaçao Tourist Board, has seen me present workshops multiple times at SMSSummits. Angelo has also brought us to Curaçao for content marketing strategy workshops the past two years. Because he’s seen SOOOO much of our content, I wanted to come up with something new Angelo hasn’t seen yet.

9 Ways a Brand Can Sustain a Social-First Content Marketing Strategy

Here it is, with a sneak peek for all of you.

It’s a tool to identify starter topic ideas along the customer journey (X-axis) from three different perspectives (Y-axis):

  • What customers are thinking about and facing
  • Industry and product category considerations
  • Brand content that fits social-first needs

Beyond a content calendar, it’s another strategic way to ensure you are developing a strong mix of content that is relevant to prospects and customers, no matter where they are along the journey to your brand.

If you would like to go deeper into the topic, download our FREE eBook on Social-First content. It covers many of the exercises and tools we’ll share in the workshop content marketing strategy workshop.

If you’d like help thinking about how a content strategy helps grow and develop your brand, contact us. Let’s grab time to chat about the possibilities for growing your revenue and customer base through social-first content! – Mike Brown

Boost Your Brand’s Social Media Strategy with Social-First Content!

Download the Brainzooming eBook on social-first content strategy. In Giving Your Brand a Boost through Social-First Content, we share actionable, audience-oriented frameworks and exercises to:

  • Understand more comprehensively what interests your audience
  • Find engaging topics your brand can credibly address via social-first content
  • Zero in on the right spots along the social sales continuum to weave your brand messages and offers into your content

Start using Giving Your Brand a Boost through Social-First Content to boost your content marketing strategy success today!

Download Your FREE eBook! Boosting Your Brand with Social-First Content

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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Vickie Howell is a broadcast personality, producer, author, designer, and instructor in the DIY world. Her online series, The Knit Show with Vickie Howell (YouTube) is the first studio produced, community funded, internationally accessible knitting and crochet streaming series. With the help of over 1200 individual and company backers, Vickie successfully raised $83k in 30 days on Kickstarter to fund the project. As of December 2017, The Knit Show has had over a quarter of a million views in at least 19 countries.

Photo: Harper Point Photography

For the sake of transparency, I note that Vickie also played bass in the imaginary band that she and I co-founded (I was the singer; the band was called Why Barbie’s Bad) as college theater students in the mid-90s, talking our way into (and out of) any number of ridiculous situations with our over-plucked brows, dark burgundy lipstick, and matching GIRLS KICK ASS t-shirts. Later, we worked for the same film and television production company while living in the same apartment building in West Los Angeles, and briefly had a side business selling light switches lovingly decoupaged by our own hands.

Those were, as Lou Reed sang, different times.

But some things remain constant. Vickie’s drive to strategize, revise, and improvise in the name of extreme creativity and productivity is as fierce and inspiring as ever, making her a natural choice for an interview on the Brainzooming blog.

Now Streaming: Extreme Creativity and Vickie Howell

Emma Alvarez Gibson (EAG): When your show was first available on YouTube, I told Mike about it, and I didn’t think he would watch it. Because he doesn’t watch anything, really. I’m always sending him videos and stuff and he’s like, Oh…yeah…I kind of clicked on it…

Vickie Howell (VH): I mean, but it’s knitting, soooo…

EAG: Exactly!

VH: Seems like it’s a given. Of course, he’s going to watch it. No? That’s not where you were going with this?

EAG: Well, two days later, he says, By the way, I watched most of the episode! I’m like, WHAT?! He says, It was really good! I was so impressed!

VH: Why? Why did he do that?

EAG: I think it’s the fact that when you saw that the market wasn’t doing what it had been doing, you took things into your own hands and found a way to do it anyway. Without getting too precious about it, those qualities in you really kind of embody what Brainzooming is about.

So, maybe tell me about how you got to where you are now and what your thoughts are about moving forward. There was a little period when there was a ton of DIY and craft shows on and that’s where you found your niche.

VH: Do you want a little background on why that went away?

EAG: Yeah.

VH: Ad dollars. There’s no money in crafts. And basically, Home Depot and Lowes are better ad buy-ins for [networks like DIY, the home of Vickie’s first show, Knitty Gritty]. We don’t have that kind of money in crafting, so it was a much more viable model to just move over to home improvement and home decorating.

DIY programming in social media has been easy. Anybody can post videos. People were getting their projects everywhere, all over the interwebs, and then they were getting the education on how to make their projects through sites like Craftsy and CreativeLive, and now Brit + Co., and Creativebug — there’s tons of them. So, the programming industry has had to completely hustle like the rest of us. Time is ticking. Cable stations are going to turn into streaming stations. So, everybody’s going big. They’re not going to go for the “there’s no ad dollars in it” show.

I was watching this all develop over the course of about eight years. I saw it happening again and again as I was working, as I was pitching, as I was trying different things. And I was still getting these messages almost daily saying that Knitty Gritty was still impactful, still had a space in people’s lives. I wanted to recreate that essence, but for now, meaning the digital aspect, which obviously wasn’t a thing back then, and the social media aspect, which was really the most exciting part for me. I started doing Facebook Live videos the first day they were available for verified users. And I noticed how many people were watching from different countries, like Turkey, Canada, Australia, Brazil–I didn’t expect that kind of community to be out there.

And for me, now, that’s the goal today. Your community is no longer in your own neighborhood, or your own state, or even your own country. As far as you can reach, and anybody can reach that far, from the comfort of their own homes — that reach is the limitation of your community, and community is the very base of marketing.

So, there were those two components, plus a third one. However you’re creative, whether it’s picking up a Fender Strat, or a paintbrush, or knitting needles, that is how you channel your creativity. And creativity is openness, and when you’re open, that allows you to see the world on a broader scope than what you would otherwise. I wanted to encapsulate that essence. It’s about people’s communities, it’s about connection of people, it’s about choosing it for stress reduction or for coping, or because you’re putting something beautiful out in the world, or for socialization, or whatever. So that was really important to me, and the only way that I could do that and make it look cool, without it being watered down heavily, was just to do it myself.

EAG: And from there, the wheels started turning and you started thinking, What would I need to start getting together so that I could produce this myself?

VH: Yeah. So, when I worked on a PBS show, I had co-executive produced it, and also produced it with my friend Karin Strom. We picked the guests, we picked the content, we figured it out. And so that experience gave me that final bit of confidence. And because I’d been in the entertainment industry, as you know, since I was 18 or 19, on and off, I knew a lot of it. But the actual nuts and bolts–that was sort of the final piece, just to see if I was a truly competent producer, and I found out that I was. And I loved it, and I still love it. It’s still one of my favorite things to do. That had been percolating for a couple of years. I worked for about a year’s time with Scripps [Scripps Networks Interactive], which owns the DIY Network, to license the Knitty Gritty name. It got pretty close, but we just couldn’t make it work, which was in hindsight a blessing, because I own The Knit Show, together with ProductionFor, outright. So, we don’t have to get approval for anything. It would have been nice to have that name recognition, but it’s so exciting, when I put on my marketing hat, that I don’t have the limitations that I would if I owed anything to anyone.

EAG: Absolutely.

Photo: Keith Trigaci

VH: I can work with people for sponsorships or partnerships in really interesting and innovative ways. Many companies don’t have the actual capital to invest, but they have the email newslists, or they have some kind of asset that is a viable barter, and so they get to put their name on what they think is a cool and innovative project, and we get whatever asset they have, whether it’s an e-newsblast to 250,000 people, which are eyes that we need, or it’s furniture for the set, or even wardrobe for me to wear to an appearance. And then what happens is that the backer page grows larger and larger and larger, so that when future investors look at it, they can see that a village built this. And there’s a village behind it.

So, I started building that, and then I went to my ex-husband Clint, because he owns a production company, ProductionFor. I went to him with the big piece that I didn’t know anything about, which was how to create a budget for a show. We went back and forth and I told him what amount I felt comfortable raising. As a side note, I’ve never felt comfortable asking for money. I sucked at selling Girl Scout Cookies. It’s just never been my wheelhouse. But because I could sort of see this as a service–people wanted this–I kind of worked it out. We found a number that we could at least try and raise together. We created a partnership with this company that normally produces interstitials, commercials, and the like, but really wanted to get into episodics. And I really needed a production company behind me for the technical side of it. So, we just sort of jumped in together. It was a huge learning curve, and there are a lot of lessons still being learned. But it was a pretty exciting adventure.

EAG: Once you got all the funding you needed, how quickly was the first season completed?

VH: I had my pitch meeting with ProductionFor in February. The Kickstarter began the third week in March and ended in April. I don’t know if you know this, but with Kickstarter, you get 30 days to raise all of it or you get none of it. That was the hardest thing I’ve ever done. And then I had my content producer Karin on a plane within maybe two weeks, and we started planning the grid. So, we went right into it. The actual studio production was the first week of August, it was five days and we shot ten episodes.

EAG: Where are you now in the process? What do you have happening next? If I know you there’s a long, long, long-term strategy.

VH: There is. The great thing about having streaming content is that there’s no shelf life for it. So now, I’ll go back and on a granular level, dissect it and see what I can do as far as marketing goes for external pieces. I’ve just received all the transcripts needed to get every episode captioned. Since we have 19 countries’ worth of ownership, I’d like to start experimenting with subtitles. I’m going to start with German and then probably Spanish. What I’d also like to do is investigate: can we sell this to an airline? Are there ways that we can sell pieces of it without it having to be pulled down from YouTube? And I don’t know the answer to that. So that’s something that I really want to investigate right now. And then I’ll break down each individual piece for additional cross-promotional opportunities.

We chose to put the whole season up at once to compete with other binge-worthy series in the digital market. That choice, though, means working harder to keep word circulating so new viewers find us. If I can offer screenshots and direct video links to snippets of the show that give a glimpse of even the smallest of products or locations, then I’ll ask the respective companies to feature us on social. This project is made for and by the community–so I’ll continue to ask that community to pitch in to make it a success.

Photo: Keith Trigaci

EAG: Blue-sky, no-holds-barred, what do you see happening?

VH: Here’s my pie in the sky: I didn’t produce this just to be a one-off. I want to continue producing the show and providing great content for the people in my community. That could be either on my own, through private investors, and just create my own thing, or it could be ultimately selling it to an Amazon or a Netflix or whatever–I think all networks are going to have streaming options soon. I have a feeling that NBC Universal will be one of the first, because they bought Craftsy, and they have Amy Poehler’s Handmade show. It could be any one of those, or it could be something I haven’t even thought of, because everything’s changing. Ultimately, I would like to produce DIY programming in all different craft realms so that I can help other designers and hosts rise. I would executive produce them. Quilting, jewelry, sewing, maybe baking, that type of thing. So that’s sort of the big picture.

EAG: A lot of people at any given point along this journey that you’ve just described would have gone, Well, I guess that’s it. What is it that keeps you pushing?

VH: I mean, but, when do you say that’s it? Like when you make your goal on Kickstarter? Or when you actually get the show produced? Or…?

EAG: I guess I’m talking more about the challenges, you know, the, Well, I have this great show, I was on this other show, but that didn’t

VH: Oh! Because I’m totally unhireable. That’s easy. Sorry, I misunderstood the question. No, I mean, what the hell else am I going to do? I’ve always, always sparkle-fingered my way through life, you know? I’ve always talked my way in and figured it out. And I guess the fear is just having to get a regular job, maybe. And also, I’ve had some really amazing experiences of people coming up to me and sharing really powerful stories involving one of my projects. And there’s something about that that helps propel you forward when you feel like pulling the covers over your head. Knowing that even if it’s just one person, or two people, or a handful of people, that you’re making a difference in someone’s life. And, you know, I’m not curing cancer. But if I can help a mom who’s sitting in a hospital room while her baby has leukemia–this woman just told me this story last week, so it’s fresh in my mind–and my projects, columns I’ve written, whatever, helped her get through something because it gave her purpose? That’s good enough for me, man. That’s good enough for me.

EAG: Thanks, Vickie! We can’t wait to see what you do next.  – Emma Alvarez Gibson

 

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ebook-cover-redoBoost Your Extreme Creativity with “Taking the NO Out of InNOvation”

Download our FREE “Taking the No Out of InNOvation eBook to help  generate extreme creativity and boost your creative thinking skills! For organizational innovation success, contact The Brainzooming Group to help your team be more successful by rapidly expanding strategic options and creating innovative growth strategies. Contact us at info@brainzooming.com or call us at 816-509-5320 to learn how we can deliver these benefits for you.

 

Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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Many experienced people, including marketers (who should know better), are ill-equipped to succeed at job networking for new opportunities. It’s scary. And it’s a frequent enough situation that it is easy to list these seven proven ways to screw up job networking calls, along with corresponding tips to improve your performance.

7 Proven Ways to Screw Up Networking Calls

Photo via Shutterstock

Screw up #1: Refusing to be conversational

I may call initially based on someone else’s description of what you’re seeking. After taking the initiative to call, introduce myself, and state that so-and-so asked me to contact you, it would be nice if you were prepared to say “thank you,” exchange a pleasantry, and share your call objective. Too many individuals act as if they’re being disturbed or don’t understand why I’m on the phone. It’s taken three attempts on some occasions to turn it into a two-way conversation. Work with me people!

Job Networking Tip: Be ready to talk!

Screw up #2: An inability to quickly set the stage

Have an elevator speech – describe your background, aspirations, and goals in two paragraphs. I’ll spend time with someone I am familiar with to probe and seek more clarity about their options. With a stranger, that’s more difficult. It would be nice if you’ve done it in advance.

Job Networking Tip: Know your interests and prepare to share them!

Screw up #3: Adopting an overly casual attitude toward the call

It’s amazing how casual people are on the phone with total strangers.  A woman once recounted her intense interest in transportation, the industry in which I was working. To make her point, she said a fully-loaded rail car was like “pornography” to her. Huh? Instantly, she went from a potential referral to a curiosity – wondering what other inappropriate things she might say.  Even if I’m not hiring, you want an introduction to someone who might be. That means it’s an interview. Act like it!

Job Networking Tip:  Conduct yourself as if it’s a job interview!

Screw up #4: Thinking this is a one-sided conversation

I go into calls expecting to offer information, ideas, or referrals that might be of assistance. It would be great if you shared that attitude. Even if you think your near-term need for opportunities is greater, I also appreciate information, ideas, and suggestions for people to meet. A two-way exchange will earn you follow-up conversations.

Job Networking Tip: Offer something of value to the other person!

Screw up #5: Expect the other person to do your heavy (and light) lifting

I received an email from someone unknown to me seeking senior marketing candidates. After forwarding the email to Clarence (not his real name) who I’d met for a networking lunch, he responded in a stern tone that the employer’s email address was wrong, asking me to get the right one. All this, even though I had to use the same resources available to him (ever heard of The Google?) to track it down. Clarence also asked me to send him direct phone numbers for other people rather than calling himself to get them. Remind me – who is looking for work here?

Job Networking Tip: Do some work yourself!

Screw up #6: Make dealing with you as cumbersome as possible

An unsolicited email arrived from someone (call him “Clarence #2”) who had been referred by a business acquaintance I hardly know. The email included two separate Word documents. Having to open both (shortening review time), I quickly closed them since a mild virus was attached (eliminating all review time).  When Clarence #2 called, he presumed I’d fully read the resume and asked what questions I had about him, followed by silence (precluding meaningful dialogue).  Important tip – presume I haven’t given a complete stranger’s resume a lot of time; help refresh me.  When later referring him to associates, I created a single PDF of his documents (he couldn’t create PDFs) to spare them the virus (robbing time from pre-selling him).  Clarence #2 could have gotten more valuable help if he’d saved me all this wasted time.

Job Networking Tip: Find EVERY way to make it easy for someone else to help you!

Screw up #7: Answering someone’s help by going silent

Maybe there’s a reason you’re looking for a job since follow-up is also typically spotty. Remember:

  • If I send information or make referrals, let me know if they’re beneficial.
  • If we set an appointment, do everything to keep it. When you cancel multiple times, don’t expect much future energy from me on getting together.
  • If I invite you into LinkedIn and offer to make connections, include a message for the ultimate target that explains why you want to network. Don’t expect me to compose a message explaining why they should spend time with you.

Job Networking Tip: Follow-up with someone that helps you!

These are basics any senior person (especially marketers) should know. Invariably, people trip on several of them.

If you’re intent on screwing up your career strategy while networking, I’ll try to help stop you, but don’t expect me to take a bullet for you while trying to wrestle your own gun from your hands! – Mike Brown

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Mike Brown

Founder of The Brainzooming Group, and an expert on strategy, creativity, and innovation. Mike is a frequent speaker on innovation, strategic thinking, and social media.

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